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  • Maestro Peter Goldsworthy Ebook Readers
    카테고리 없음 2020. 3. 16. 14:23

    Is back living at home in Adelaide, unemployed and drifting after a messy divorce. Then he is offered a job teaching Sign to Eliza.

    His new pupil is smart, sensitive, attractive - and a gorilla recently liberated from a medical research laboratory by animal rights activists.First published in 1995, the third novel by the acclaimed writer Peter Goldsworthy is unique in Australian literature: a dazzling, moving story about scientific experimentation and ethics, language and love.This edition comes with a new introduction by James Bradley.Peter Goldsworthy has won the FAW Christina Stead Prize for fiction, the Commonwealth Poetry Prize and a Helpmann Award, shared with the composer Richard Mills, for the opera Batavia. His poetry and novels have been widely translated; four of his novels and the short story 'The Kiss' have been adapted for the stage. His most recent book is the short-story collection Gravel, shortlisted for the ALS Gold Medal for Literature. This year Penguin is publishing His Stupid Boyhood, a comic memoir, and Maestro, his debut novel, is being reissued as an Angus & Robertson Australian Classic.'

    Goldsworthy's greatest achievement.Brave, brilliant, as intellectually challenging as it is playful, it is testament to a restless and unpredictable imagination.' James Bradley'Stylish, imaginative, poignant, and hugely unsettling.' Australian'A deeply satisfying book.represents a new achievement in his fiction.Read it. You won't find another novel like it.' Adelaide Review.; July 2013. ISBN: 117.

    Read online, or download in secure ePub format. Title: Wish.Series:. Author: Peter Goldsworthy; James Bradley (other).Imprint: Text Publishing. Subject categories.ISBNs. 035. 117About The AuthorPeter Goldsworthy has won the FAW Christina Stead Prize for fiction, the Commonwealth Poetry Prize and a Helpmann Award, shared with the composer Richard Mills, for the opera Batavia.

    His poetry and novels have been widely translated; four of his novels and the short story 'The Kiss' have been adapted for the stage. His most recent book is the short-story collection Gravel, shortlisted for the ALS Gold Medal for Literature. This year Penguin is publishing His Stupid Boyhood, a comic memoir, and Maestro, his debut novel, is being reissued as an Angus & Robertson Australian Classic.

    Peter Goldsworthy’s Darwin. In Maestro, the setting, vibrantly alive, is a character in its own right.Darwin circa 1967 may seem an unlikely place for literary inspiration, but Peter Goldsworthy’s, Maestro, with its exotic setting and the emotions he attaches to it, is an irresistible combination.

    Music infuses the story and it is at a piano lesson, that the teenage Paul Crabbe, a recent arrival from the south, encounters the maestro, a refugee from Vienna with a shady past.I hoped to experience Peter Goldsworthy’s Darwin. In Maestro, the setting, vibrantly alive, is a character in its own right.Darwin circa 1967 may seem an unlikely place for literary inspiration, but Peter Goldsworthy’s, Maestro, with its exotic setting and the emotions he attaches to it, is an irresistible combination. Music infuses the story and it is at a piano lesson, that the teenage Paul Crabbe, a recent arrival from the south, encounters the maestro, a refugee from Vienna with a shady past.I hoped to experience Darwin the way his protagonist, Paul, experiences it. There’s a risk involved in seeking out novel settings and the locations within because they may not be real and if they are real, may disappoint. Writers usually get the detail correct through research, but unless they have lived, even temporarily, in a place they write about, their pages are not imbued with the warm rain and wet earth smearing itself with greenness, like Goldsworthy’s prose is.

    Like the Crabbes, the Goldsworthy family moved to Darwin in 1966. Would the written Darwin mismatch the real thing or would I understand why Paul loved the tropical hothouse blooms where everything grew larger than life as I walked the streets of this lush and isolated town, a mix or orient and outback, a port to where immigrants drifted as a place of refuge.Visiting a novel’s setting can be disorientating and laden with a ‘where am I’ aura.

    The heavy embrace of Darwin’s scent laden air strikes the minute the plane doors open and there’s no mistaking, this is the tropics. Ominous black clouds loom on the horizon and thunder rumbles away in the background waiting for that almighty moment when rain clouds burst, releasing moist compost air, sweet and sour, just as Goldsworthy describes.Some novels can be transported to different cities without affecting the overall story, but some narrative locations are inherent in the story and should the action be moved, the story would be different. Maestro, published in 1989, amusing, wise and enormously entertaining, sweeps effortlessly into 1960s Darwin, a tropical backdrop that becomes its own character.There’s nothing insipid about Darwin and the two seasons, the wet and the dry, provide a dramatic backdrop to even the most bland of locations, a 1960s designed, form matched to function, school. Darwin High School, where Paul took refuge in the music room from bullies, still overlooks Mindil Beach and Darwin Harbour from the headland of Bullocky Point. Not as isolated as it was in the 60s, it now forms part of East Point Reserve a beautiful place for walking where you may spot red-tailed black cockatoos and wallabies and, depending on the season, witness magnificent sunsets or spectacular lightening displays.The Botanical Gardens, where Keller arrives drunk during a concert arranged by the Crabbes, are now a heavenly brew of monsoon vine forest, coastal dunes, mangroves, woodlands and plants that have survived cyclones, wildfires and World War 2. Concerts continue to be held in the amphitheatre.The Swan, the fictional crumbling pub where the maestro, Keller, lives in his darkened room above the bar, shuttered against bright sunlight and the noisy locals below, is surely based on the colonial style Victoria, a heritage listed pub built with local stone in 1890. Before Cyclone Tracey hit in 1974, pictures show a large weatherboard accommodation annex, perhaps the inspiration for Keller’s room in the warren of crumbling weatherboard where Paul took his music instruction.

    Bougainvillea has grown in the courtyard since 1890, but sadly, although the monsoons of beer remain, I’m told the bougainvillea has been removed since my visit.Writers capture fleeting moments and no location remains intact forever. But the geography of the setting, the place on the map, its droughts, flooding rains and distant horizons do largely stay the same within the Australian landscape. Our literature often has a complicated, complex relationship with landscape, seeing it as menacing, a place from which we are often estranged.

    The young Paul’s enthusiastic embrace of Darwin, isolated at the Top End, with Asia to the north and the vast outback to the south, is so infectious, as a setting it becomes a must see. What a great read! And I see in some reviews that this has been on the Australian school syllabus, at least in the past, if not presently.

    Not in my day - because it hadn't been written - but if I had read this as a teenager I think it would have easily got 5 stars from me.I read Maestro for its Darwin location, and for me, the setting is one of two things about this book that absolutely shone. Having lived in Darwin for a few years myself, albeit much later than this story is set, I was What a great read!

    And I see in some reviews that this has been on the Australian school syllabus, at least in the past, if not presently. Not in my day - because it hadn't been written - but if I had read this as a teenager I think it would have easily got 5 stars from me.I read Maestro for its Darwin location, and for me, the setting is one of two things about this book that absolutely shone. Having lived in Darwin for a few years myself, albeit much later than this story is set, I was instantly transported there. “Even our garden lawn—most domesticated of foliage—needed mowing again almost as soon as it was done like some lush, green five o’clock shadow.” I can almost feel the midges nipping at my bare ankles. There are one or two other quotes I really liked that pinpointed the tropical location so accurately for me (should be visible below).EDIT: Forgot to mention - a book set in Darwin with not one mention, not even an allusion to, crocodiles! What?!The other thing of course, was the wonderful relationship between gruff piano teacher, Eduard Keller - the Maestro - and Paul Crabbe, teenage would-be prodigy.

    At the start, Paul is the type of kid who is 100% confident in his talent, because it's always been nurtured by his musical parents and he's probably never really received the kind of constructive criticism needed to grow and excel. Keller changes all that.

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    He won't even let Paul play for him for the first few weeks of lessons, or consultations, as he calls them. Keller is so sparing with praise that Paul eventually learns that the rare words of approval are worth every moment of his frustration with being taken back to endless scales and practising the childrens' version of concert pieces. Movie equivalents might be Dead Poets Society, or To Sir With Love, or Goodbye Mr Chips - you get the picture.It's a short book, but underneath all this there is still room for a sad sub-story about Keller's wartime experiences in Europe.

    Is he a war criminal, as Paul initially only half-jokingly suspects? Could he in fact actually be Jewish? And why do people from his past think he is dead?This is one that I will probably re-read in the future. I will never again doubt the decisions of the Australian high school English syllabus. Time after time I have riddled it with doubt and skepticism and time after time it has proven e wrong.Maestro, though absurd in its opening pages, certainly fills readers with a longing by the end of the book. Adults, a longing for lost childhoods, children, a longing to not lose what precious time we have, and above all, a longing to have a mentor able to rival the genius of Keller.This book teaches its I will never again doubt the decisions of the Australian high school English syllabus.

    Time after time I have riddled it with doubt and skepticism and time after time it has proven e wrong.Maestro, though absurd in its opening pages, certainly fills readers with a longing by the end of the book. Adults, a longing for lost childhoods, children, a longing to not lose what precious time we have, and above all, a longing to have a mentor able to rival the genius of Keller.This book teaches its readers a very important lesson of our own mortality. It draws our attention from the silliness of childhood and youth, and ultimately warning us about our own vulnerability. A human's mortality is not something faced willingly by everyone, but it is a question we will all face, and though we all try to leave with a mark on this earth, the ultimate truth us that most of us won't, Even geniuses like Keller weren't able to, so what makes us qualified?

    4.5 stars - a lovely book. Very nostalgic and warm, full of very Australian lushness and atmosphere. Like the smell of rain, but instead the vividness of humid nights, mangroves that seemingly seep from the mainland, or searing sun on the back of your neck. As an Australian, it was quite lovely to see these indiosyncracies described in pleasant prose. The story was then wrapped in music (a personal love) and resolved characters, keeping their distinctive qualities despite their changing (change 4.5 stars - a lovely book.

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    Very nostalgic and warm, full of very Australian lushness and atmosphere. Like the smell of rain, but instead the vividness of humid nights, mangroves that seemingly seep from the mainland, or searing sun on the back of your neck. As an Australian, it was quite lovely to see these indiosyncracies described in pleasant prose. The story was then wrapped in music (a personal love) and resolved characters, keeping their distinctive qualities despite their changing (change especially present with Paul, but more nuanced in Keller).The first person perspective prevented Paul from being unlikable, as some of his perspectives could come off petulant, or worse irrelevant, if not presented in the way that first person writing justifies itself.

    Not to say that he would have been unlikable otherwise, but it's easier to find his ideas endearing when the writing style makes it easier to relate his experiences to your own. As such, the relationship between Paul and Keller made for an appropriate and comfortable vehicle to drive the story.Although there wasn't much in the way of plot, the storyline feels more at home as a description of a life, a reflection. This then also matches the short length of the book, an ideal length in fact for a story of this kind - too long and it becomes dull.

    Smaller, visceral, bittersweet amounts of this kind of writing make for a positive reading experience.Overall a pleasant read with some great prose, two stark characters, and a relationship as nuanced and layered as it is simple. This short novel, is primarily based in Darwin in the late 1960s, where a boy Paul Crabbe is taught piano by his teacher 'Maestro', Eduard Keller. Paul has a lot of misgivings about his teacher at first, mostly noting that he was a boozer uncontemporary and distant but by the end of the novel he admired him a lot. This tale depicts Pauls growing up in the hot tropical town, his ability at music, his adolescence and his relationship with his parents and his sweetheart, Rosie.I loved this book. This short novel, is primarily based in Darwin in the late 1960s, where a boy Paul Crabbe is taught piano by his teacher 'Maestro', Eduard Keller.

    Paul has a lot of misgivings about his teacher at first, mostly noting that he was a boozer uncontemporary and distant but by the end of the novel he admired him a lot. This tale depicts Pauls growing up in the hot tropical town, his ability at music, his adolescence and his relationship with his parents and his sweetheart, Rosie.I loved this book. Partly becasue i could totally appreciate the environment that he was writing about. Even though it was the 60s in the book and I now live in Darwin with the assistance of air-conditioning. I can still appreciate the heat, humidity and other unique entities that make darwin what it is in both eras. The book was often a sad depiction of life, in that it frequently illustrated missed opportunities and opportunities to do the right thing, which the main character often missed.

    The book follows paul until he is a middle aged adult and shows his growing of wisdom, fro a young selfish egotistical only child - to a responsible and caring adult with a child of his own.This book left me thinking and feeling ater I finished it. There are quite a few interesting phrases and philosophies thrown in throughout the book as well.I can understand why this is a recommended text for Year 12 in places. Good choice!I read somewhere that the author's daughter has transfromed this book into a stage play. I just finnished this book recently, had to read it for school.Now, I don't know about you, but my school has serious issues with chosing books.

    This is one of - close to the only - book my school has ever chosen that is decent.I love this book, the whole book is about music, and that is a huge part of my life, this book hits close to home. (even if the main character is a complete stuck up selfish self centred ass).If you have music as a big part of your life, than this is definatley a book for I just finnished this book recently, had to read it for school.Now, I don't know about you, but my school has serious issues with chosing books. This is one of - close to the only - book my school has ever chosen that is decent.I love this book, the whole book is about music, and that is a huge part of my life, this book hits close to home. (even if the main character is a complete stuck up selfish self centred ass).If you have music as a big part of your life, than this is definatley a book for you.The slight touch on the history of Austria during the 1940s also added to the value of this book for me, as I am quite a history nut.Keller would definately be my favourite character - or even the only character I liked in the whole book - he's unique knowledge and some would say eccentric attitude to music, intrested me, and I could somehow relate to his character, though I'm not sure why.

    “Maestro” is a beautiful novel. The sensitively written story about a student and a teacher is of Darwin in the late 1960s, where a boy Paul Crabbe is taught piano by his teacher 'Maestro', Eduard Keller. Paul has a lot of misgivings about his teacher at first, but by the end of the novel he admires him a lot. The writing is excellent in imagery and description of Darwin and then capture of the emotions of is characters. Indeed, this short novel is so full of emotion as to encourage repeat “Maestro” is a beautiful novel.

    The sensitively written story about a student and a teacher is of Darwin in the late 1960s, where a boy Paul Crabbe is taught piano by his teacher 'Maestro', Eduard Keller. Paul has a lot of misgivings about his teacher at first, but by the end of the novel he admires him a lot. The writing is excellent in imagery and description of Darwin and then capture of the emotions of is characters. Indeed, this short novel is so full of emotion as to encourage repeat readings for return to the comfort of its words.

    And the touch on the history of Austria during the 1940s also adds depth to the story. What a great read! I was at first annoyed by the lack of suspense, but I really liked how the ending turned out. An important lesson about human mortality or, rather the importance of savouring memories; gratitude. I also think that maybe to let down our ego we can allow ourselves to become better for other people, and to truly hear them out, unlike what the protagonist did at times during his childhood. The message is simple, and I bet many other books have simple messages like this. I was glad What a great read!

    I was at first annoyed by the lack of suspense, but I really liked how the ending turned out. An important lesson about human mortality or, rather the importance of savouring memories; gratitude.

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    I also think that maybe to let down our ego we can allow ourselves to become better for other people, and to truly hear them out, unlike what the protagonist did at times during his childhood. The message is simple, and I bet many other books have simple messages like this. I was glad that the book wasn’t very stretched out. Not bad for an Australian curriculum? Some books stay with you don't they. This one will stay just that bit longer, I loved it! I bought it after reading Wish by the same author but I must say, I enjoyed Maestro much more.

    I've had it sitting on my shelves since 2016 and if it's on your TBR pile, go get it and read it now! The main characters are Herr Keller the ageing maestro with a history he doesn't want to reveal until it was too late and Paul, an adolescent boy not sure of his place in the world but the book is peppered with a Some books stay with you don't they.

    This one will stay just that bit longer, I loved it! I bought it after reading Wish by the same author but I must say, I enjoyed Maestro much more. I've had it sitting on my shelves since 2016 and if it's on your TBR pile, go get it and read it now! The main characters are Herr Keller the ageing maestro with a history he doesn't want to reveal until it was too late and Paul, an adolescent boy not sure of his place in the world but the book is peppered with a wonderful assortment of people. Set in Darwin early in the 70's I think, these two are brought together by a love of the piano but have trouble settling into the relationship of teacher/student. This is an emotional story beautifully written, it slowly draws you in and takes a firm hold and underpinning it all is the wonderful music.

    Peter Goldsworthy grew up in various Australian country towns, finishing his schooling in Darwin. After graduating in medicine from the University of Adelaide in 1974, he worked for many years in alcohol and drug rehabiiltation. Since then, he has divided his time equally between writing and general practice. He has won major literary awards across a range of genres: poetry, short story, the Peter Goldsworthy grew up in various Australian country towns, finishing his schooling in Darwin. After graduating in medicine from the University of Adelaide in 1974, he worked for many years in alcohol and drug rehabiiltation. Since then, he has divided his time equally between writing and general practice.

    He has won major literary awards across a range of genres: poetry, short story, the novel, in opera, and most recently in theatre.

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